Home » Film Semiotics, Metz, and Leone's Trilogy
Product Image

Film Semiotics, Metz, and Leone's Trilogy

Lane Roth
€192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Lane Roth
ALTERNATE SYNTAGMA
Angel Eyes
Author_Lane Roth
Autonomous Segments
Autonomous Shots
Bounty Killer
BRACKET SYNTAGMA
Category=ATF
Category=CF
Category=GTD
Category=JBCT
Category=NH
Christian Metz
Cinematographic Language
cinesemiotics
Coffin Maker
comparative cinematic semiology research
Descriptive Syntagma
doc roth
EI Paso
Episodic Sequences
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film analysis
film communication theory
fistful of dollars
for a few dollars more
Grande Syntagmatique
Leone Filmic
Long Shot
Match Cutting
narrative structure analysis
Narrative Syntagmas
Nondiegetic Insert
ORDINARY SEQUENCE
Paradigmatic Analysis
paradigmatic codes
Pos Ter
Proport Ionate
semiology
Sequence Shot
Sergio Leone
stylistic unity analysis
Syntagmatic Analysis
Syntagmatic Category
syntagmatic methodology
Syntagmatic Type
the good the bad and the ugly

Product details

  • ISBN 9780415726603
  • Weight: 498g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Nov 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Description

Semiotics offers a systematic approach to analysing the stylistic structure of film. When this study was originally published in 1983 this was a recent addition to the methods of film study and it presents an explanation of film semiotics with direct application to comparative film research. It takes as its representative subject one trilogy of films and applies semiology, with careful textual analysis. The book begins with a basic introduction to semiotics and the ideas of Christian Metz on cinesemiotics. It then presents a syntagmatic analysis of each of the three Dollars films, with an outline of autonomous segments for each and a discussion of the findings before undertaking a wider analysis of the trilogy as a whole with commentary on the stylistic unity of the director’s work. This book, an enduring detailed study of these three films, also outlines clearly this method of classifying the formal structuring codes of film communication.

More from this author