Film Technology in Socialist Chinese Cinema

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A01=Zhaoyu Zhu
Author_Zhaoyu Zhu
Category=ATF
Category=GTM
Category=JBCT
Chinese film technology
Chinese socialist cinema
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
history of technology
megamachine
technology transfer

Product details

  • ISBN 9781041114291
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Jul 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the history of film technology in Maoist China from the foundation of the People’s Republic of China (PRC) in 1949 to the beginning of economic reform in 1979 from the perspective of technology transfer.

Highlighting the trade exchange of technology equipment and scientific knowledge between China and the globe, this book explores the history of film technology in the socialist state, showing that the function of film technology under socialism is different from capitalist countries, which mainly use film technology to raise films’ commercial appeal and to generate profit. Instead, the use of film technology became a key link in the Chinese film industry to promote socialist propaganda and pedagogy.

In showing how the film industry in China became a state-led megamachine centralising the sustainable production and supply of filmmaking resources, this book will be a valuable resource for students and scholars of Film Studies, Contemporary Cinema and Asian Media and Communication Studies.

Zhaoyu Zhu is a Teaching Fellow in Communication and Cultural Studies in University of Nottingham Ningbo, China. He received the Katherine Singer Kovacs Essay Award from the Society of Cinema and Media Studies in 2022. He widely writes about Chinese film history (particularly Chinese film technology), Chinese cinemas, and film festivals.

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