Film Theory: Rational Reconstructions

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A01=Warren Buckland
advanced film theory frameworks
assumption
auteur
Auteur Critics
Author_Warren Buckland
background
Category=ATFA
Category=JBCT
Category=NH
cinematic
Cinematic Concepts
cinematic signification
Coherent Subject Position
concepts
Contemporary Film Theory
critical theory application
criticism
Director's Individual Style
Director’s Individual Style
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film analysis methods
Film Semiotics
Francesco Casetti
Girl Friday
Grande Syntagmatique
Heath's Essay
Heath’s Essay
Hollywood Family Melodrama
Hollywood Melodrama
Logical Relations
Long Shot
Melodramatic Imagination
Michelet's History
Michelet’s History
Mulvey's Essay
Mulvey’s Essay
narrative structure theory
peter
Pro-filmic Events
problematic
Rational Legal Authority
Rational Reconstruction
Roger Odin
spectatorship studies
state
Statistical Style Analysis
Stylistic Constants
Syntagmatic Types
visual semiotics
wollen
Young Man

Product details

  • ISBN 9780415590976
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Mar 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In Film Theory: Rational Reconstructions, Warren Buckland asks a series of questions about how film theory gets written in the first place:

  • How does it select its objects of study and its methods of inquiry?
  • How does it make discoveries and explain filmic phenomena? And,
  • How does it formulate and solve theoretical problems?

He asks these questions of film theory through a rational reconstruction and a classical commentary. Both frameworks clarify and reformulate vague and inexact expressions, redefine obscure concepts, and examine the underlying logic of film theory arguments. This not only subjects film theory to rigorous examination; it also teaches students how to write theory, by enabling them to question and critically interrogate the logic of previous film theory arguments.

The book consists of nine chapters that closely examine a series of canonical film books and essays in great detail, by Peter Wollen, Laura Mulvey, Thomas Elsaesser, Stephen Heath, and Slavoj Žižek, among others.

Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is a prolific author with several books to his name. He is also the editor of the quarterly journal the New Review of Film and Television Studies (Routledge).