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A01=David Jelinek
A01=James Stillwaggon
Adolescent Fatalism
Author_David Jelinek
Author_James Stillwaggon
authority in classroom dynamics
Carbolic Smoke Ball
Category=JBCT
Category=JN
Category=JNA
Category=JNMT
Category=JNT
cinematic representations of education
Crack Cocaine
David Jelinek
David Mamet's Oleanna
David Mamet’s Oleanna
desire
educational film analysis
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
Girl's Forehead
Girl’s Forehead
Good Life
Hart's Desires
Hart’s Desires
Hector's Case
History Boys
identity
image
James Stillwaggon
La Maternelle
Lacan
media
Melancholic Attachment
Paper Chase
pedagogy
Perfect Murder
Plato's Cave Allegory
Plato’s Cave Allegory
Protagonist's Desires
psychoanalysis of school films
psychoanalytic theory in teaching
Pubescent Body
school
sociology of schooling
Student's Fantasy
Student’s Fantasy
teacher education
Teacher Fantasy
teacher identity
teacher student relationships
Teacher's Longing
Teacher’s Longing
Teaching Fantasy
Theorizing Education
theory of education
transference
transgression
Virtuosic Violinist
York City Subway System
York City Teaching Fellows
Young Man

Product details

  • ISBN 9781138931077
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 May 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Filmed School examines the place that teaching holds in the public imaginary through its portrayal in cinema. From early films such as Mädchen in Uniform and La Maternelle to contemporary images of teaching in Notes on a Scandal and The History Boys, teachers’ roles in film have been consistently contradictory, portraying teachers as both seducers and selfless heroes, social outcasts and moral models, contributing to a similarly divided popular understanding of teachers as both salvific and sinister.

In this book, Stillwaggon and Jelinek present these contradictory images of teaching through the concept of transference—the fantastical belief in another’s knowing that founds a teacher’s authority in relation to her students and, to some degree, the public at large. Tracing the place of transference across a century of school films, each chapter demonstrates the persistence of this fantasy in one of the dreams or nightmares of teaching that recurs thematically in school films: the teacher-as-savior, seducer, signifier in a moribund discourse, and sacrificial object. Through these analyses, the authors suggest that something might be missing in our attempts to theorize education when we leave our unthought fantasies of teaching out of the picture.

This book will be of key interest to academics, researchers, and postgraduate students in the fields of educational theory, teacher education, philosophy of education, film and media studies, psychoanalysis, sociology of education, curriculum studies, and cultural studies.

James Stillwaggon is Associate Professor of Philosophy at Iona College, USA, where his teaching and writing focus on the place of philosophical ideals in democratic education.

David Jelinek is Professor of Art and Art History at Collegiate School, USA. His research and writing focus on the relationship between teachers and students in film. A solo installation of his, Money Down, was exhibited at the Andrew Edlin Gallery in Manhattan.

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