Films of Akira Kurosawa, Third Edition, Expanded and Updated

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A01=Donald Richie
akira kurosawa
arts
asia
asian history
Author_Donald Richie
biography
Category=ATFA
Category=ATFB
cinema
director
east asia
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
film criticism
film history
film makers
film making
film studies
film theory
filmmakers
filmmaking
films
history
ikiru
japan
japanese cinema
japanese film
kurosawa
nonfiction
performing arts
rashomon
sanjuro
seven samurai
the ocean was watching
throne of blood
yojimbo

Product details

  • ISBN 9780520220379
  • Weight: 953g
  • Dimensions: 251 x 251mm
  • Publication Date: 20 Jan 1999
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
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In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching. Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon--one of the best-remembered and most talked-of films in any language--was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro.
Donald Richie is the Arts Critic for The Japan Times.

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