Films of Werner Herzog

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Aguirre
auteur theory
Buchner's Woyzeck
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Chopin
cinematic aesthetics
Contemporary German Cinema
critical essays on Werner Herzog films
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Extreme Long Shot
Fata Morgana
film criticism analysis
filmmaking
German cinema studies
God's Angry Man
Green Ants Dream
Herbert Achternbusch
Herzog's Films
Herzog's Nosferatu
Herzog's Work
Klaus Kinski
La Soufriere
Mid Air
Murnau's Film
Murnau's Nosferatu
New German Wave
Nosferatu
Popol Yuh
Romeo Und Julia Auf Dem
Ruby Glass
Television System
the Wrath of God
timothy corrigan
Und Julia Auf Dem Dorfe
Vampire Legend
Vice Versa
visual philosophy
werner herzog
West Germany
Where the Green Ants Dream
Young Man
Young Mozart

Product details

  • ISBN 9781138989245
  • Weight: 362g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 May 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Given Herzog’s own pronouncement that ‘film is not the art of scholars, but of illiterates,’ it is not surprising that his work has aroused ambivalent and contradictory responses. Visually and philosophically ambitious and at the same time provocatively eccentric, Herzog’s films have been greeted equally by extreme adulation and extreme condemnation.

Even as Herzog’s rebellious images have gained him a reputation as a master of the German New Wave, he has been attacked for indulging in a romantic naiveté and wilful self-absorption. To his hardest critics, Herzog’s films appear as little more than Hollywood fantasies disguised as high seriousness. This book is an attempt to illuminate these contradictions. It gathers essays that focus from a variety of angles on Herzog and his work. The contributors move beyond the myths of Herzog to investigate the merits of his work and its place in film history. A challenging range of films is covered, from Fata Morgana and Aguirre, the Wrath of God to more recent features such as Nosferatu and Where the Green Ants Dream, offering the reader ways of understanding why, whatever the controversies surrounding Herzog and his films, he remains a major and popular international filmmaker. Orignally published in 1986.