Filmspanism

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A01=Juan F. Egea
Action Thriller
Art Cinema
art cinema theory
Author_Juan F. Egea
Category=ATF
Category=JBSL
Cinematic Transnationalism
Devil's Backbone
Devil’s Backbone
disciplinarity in film
Early Francoism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Es Para
European Art Cinema
film genre scholarship
filmspanism
Genre Filmmaking
Hispanic Atlantic
Hispanic film studies
institutionality
Jo Labanyi
La Isla
La Vaquilla
Main Character
Ocho Apellidos Vascos
Pan's Labyrinth
Pan’s Labyrinth
Popular Cinema
popular culture research
Recent Spanish Cinema
Soldados De Salamina
Spanish Cinema
Spanish cinema academic approaches
Spanish Film Production
Spanish National Cinema
Spanish Popular Cinema
Transnational Cinema
transnational film analysis
Transnational Film Studies
transnationalism
Young Men

Product details

  • ISBN 9780367111526
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Filmspanism explores the geopolitics of knowledge involved in academic approaches to Spanish cinema.

This companion rethinks the role of disciplinarity, institutionality, and nationality in the study of film by taking into account a rather specific set of contentious issues, intellectual traditions, discursive servitudes, and invested scholarship. To that end, the book explores the topics of art cinema, popular culture, film genre, and transnationalism, always with Spanish cinema as its concrete object of study.

An insightful contribution to the study of Spanish cinema, this discussion will be of interest to researchers and graduate students in Hispanic Studies and Film Studies.

Juan F. Egea is Professor in the Department of Spanish and Portuguese at the University of Wisconsin, Madison, US. He is the author of La poesía del nosotros: Jaime Gil de Biedma y la secuencia lírica moderna and Dark Laughter: Spanish Film, Comedy, and the Nation.

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