A01=Federico Garcia Lorca
Age Group_Uncategorized
Age Group_Uncategorized
Author_Federico Garcia Lorca
automatic-update
B01=Christopher Maurer
B01=José Javier León
B06=Christopher Maurer
Category1=Non-Fiction
Category=DSBH
Category=DSC
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Language_Spanish
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9781736189375
- Weight: 367g
- Dimensions: 152 x 229mm
- Publication Date: 24 Jan 2024
- Publisher: Swan Isle Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English, Spanish
Secure
checkout
Fast Shipping
Easy returns
A new translation of Federico García Lorca’s captivating lecture on duende.
For years, Federico García Lorca’s lecture on duende has been a source of insight for writers and performers, including Ted Hughes, Nick Cave, Patti Smith, and Amanda Gorman.
Duende: Play and Theory not only provides a path into Lorca’s poetics and the arts of Spain; it is one of the strangest, most compelling accounts of inspiration ever offered by a poet. Contrasting the demon called duende with the Angel and the Muse, Lorca describes a mysterious telluric, diabolical current, an irreducible “it,” that can draw the best from both performer and audience.
This new translation by Christopher Maurer, based on a thoroughly revised edition of the Spanish original of 1933, also included in this volume, offers a more accurate and fully annotated version of the lecture, with an introduction by eminent philologist José Javier León. Drawing on a deep knowledge of flamenco, and correcting decades of discussion about duende and its supposed origins in Spanish folklore and popular speech, León shows to what extent the concept of duende—understood as the imp of artistic inspiration—was the playful, yet deadly serious, invention of Lorca himself.
Lorca’s bravura performance of duende is foreshadowed here with a bilingual version—the most complete ever—of his other major text on inspiration, “Imagination, Inspiration, Evasion,” in which he calls for greater freedom in poetry as if searching for duende and its “constant baptism of newly created things.”
For years, Federico García Lorca’s lecture on duende has been a source of insight for writers and performers, including Ted Hughes, Nick Cave, Patti Smith, and Amanda Gorman.
Duende: Play and Theory not only provides a path into Lorca’s poetics and the arts of Spain; it is one of the strangest, most compelling accounts of inspiration ever offered by a poet. Contrasting the demon called duende with the Angel and the Muse, Lorca describes a mysterious telluric, diabolical current, an irreducible “it,” that can draw the best from both performer and audience.
This new translation by Christopher Maurer, based on a thoroughly revised edition of the Spanish original of 1933, also included in this volume, offers a more accurate and fully annotated version of the lecture, with an introduction by eminent philologist José Javier León. Drawing on a deep knowledge of flamenco, and correcting decades of discussion about duende and its supposed origins in Spanish folklore and popular speech, León shows to what extent the concept of duende—understood as the imp of artistic inspiration—was the playful, yet deadly serious, invention of Lorca himself.
Lorca’s bravura performance of duende is foreshadowed here with a bilingual version—the most complete ever—of his other major text on inspiration, “Imagination, Inspiration, Evasion,” in which he calls for greater freedom in poetry as if searching for duende and its “constant baptism of newly created things.”
Federico García Lorca (1898–1936) is Spain’s best-known and most beloved poet and playwright. José Javier León teaches at the Center of Modern Languages, University of Granada, and is the author of numerous books and articles, including Bolero: El vicio de quererte. Christopher Maurer is professor of Spanish at Boston University. He is editor and translator of Sebastian’s Arrows: Letters and Mementos of Salvador Dalí and Federico García Lorca, New Letters to a Young Poet by Joan Margarit, and The Complete Perfectionist by Juan Ramón Jiménez, all published by Swan Isle Press.
