Fine Art and Perceptual Neuroscience

Regular price €198.40
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Paul Hackett
Acrylic Medium
art theory methodology
Author_Paul Hackett
Axiomatic Grids
Binocular Diplopia
Bird's Eye
Bird’s Eye
Category=AFC
Category=AGA
Category=GTK
Category=JMM
Category=JMR
Category=PSAN
Cognitive Neuroscience
cognitive psychology
Collins Concise English Dictionary
Diplopia
Diplopic Vision
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
Gestalt Principles
Gestalt Psychology
Grid Image
Grid Paintings
Landscape Paintings
Low Shrub Cover
Mapping Sentence
Medulla Oblongata
Monocular Diplopia
Neuropsychology
Neuroscience Knowledge
Ocular Impairment
Oil Bars
optical illusions
Optical process
painting techniques analysis
perception of grid images in art
Perceptual Neuroscience
Powder Pigment
Prism Diopters
Terry Winters
Tundra Landscapes
Ventral Visual Stream
Visual culture
Visual impairment
visual impairment studies
visual perception

Product details

  • ISBN 9780415841511
  • Weight: 362g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Dec 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Over the past decade, the integration of psychology and fine art has sparked growing academic interest among researchers of these disciplines. The author, both a psychologist and artist, offers up a unique merger and perspective of these fields. Through the production of fine art, which is directly informed by neuroscientific and optical processes, this volume aims to fill a gap in the literature and understanding of the creation and perception of the grid image created as a work of art. The grid image is employed (for reasons discussed in the text) to illustrate more general processes associated with the integration of vision, visual distortion, and painting.

Existing at the intersection of perceptual neuroscience, psychology, fine art and art history, this volume concerns the act of painting and the process of looking. More specifically, the book examines vision and the effects of visual impairment and how these can be interpreted through painting within a theoretical framework of visual neuroscience.

Paul Hackett is a self-employed artist and Professor of Research Methods, Statistics and Consumer Behavior at Emerson College.

More from this author