A01=Laurinda D. Brown
African American books
Author_Laurinda D. Brown
bisexuality
black characters
black community
black queer communities
Category=FBA
Christendom
Christianity
eq_bestseller
eq_fiction
eq_isMigrated=1
eq_modern-contemporary
eq_nobargain
feminist
gay women
God
homosexuality
lesbian relationship
lesbianism
LGBTQ books
LGBTQ community
queer characters
race
religion
religious beliefs
same-sex domestic abuse
sexuality
spirituality
womanist
Product details
- ISBN 9781593090159
- Weight: 259g
- Dimensions: 140 x 216mm
- Publication Date: 30 Mar 2004
- Publisher: Simon & Schuster
- Publication City/Country: US
- Product Form: Paperback
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Chris Desmereaux—college graduate, churchgoer, and single mother—is struggling with poverty, coming to terms with her sexuality, and finding love—though she is unaware that her life will change, for better or worse, the day Gayle Evans finds her personal ad in the paper and answers it.
Gayle Evans, toe-tapping, knee-slapping, make-you-wanna-holla Minister of Music with a divine gift from God. "Praise the Lord" is her mantra. Macking women is her game. Destroying every life she touches, Gayle brings more misery than harmony. She has a lesson or two to learn after she uses her "relationship with God" to break up a seemingly happy home.
Alternately set in Washington, D.C. and Memphis, Tennessee, Fire & Brimstone is an "in your face" tale that explores lesbianism and black motherhood as both separate and integrated issues impacting the main character's role as a single parent, while opening dialogue on same-sex domestic violence, religious beliefs, bisexuality, negligent fathers, economics, and intra-racial caste systems among African Americans. Depending on one's beliefs and opinions, Fire & Brimstone leaves no room for "in-between" emotions, leading the reader to ultimately draw his or her own conclusion as to what the ending actually means: Is homosexuality a sin, or does God love us as we are?
The author reminds us that gay women are everywhere, even in the African American church—a place where no one expects to find them. Fire & Brimstone does an excellent job of testing the boundaries of 21st century morality.
Gayle Evans, toe-tapping, knee-slapping, make-you-wanna-holla Minister of Music with a divine gift from God. "Praise the Lord" is her mantra. Macking women is her game. Destroying every life she touches, Gayle brings more misery than harmony. She has a lesson or two to learn after she uses her "relationship with God" to break up a seemingly happy home.
Alternately set in Washington, D.C. and Memphis, Tennessee, Fire & Brimstone is an "in your face" tale that explores lesbianism and black motherhood as both separate and integrated issues impacting the main character's role as a single parent, while opening dialogue on same-sex domestic violence, religious beliefs, bisexuality, negligent fathers, economics, and intra-racial caste systems among African Americans. Depending on one's beliefs and opinions, Fire & Brimstone leaves no room for "in-between" emotions, leading the reader to ultimately draw his or her own conclusion as to what the ending actually means: Is homosexuality a sin, or does God love us as we are?
The author reminds us that gay women are everywhere, even in the African American church—a place where no one expects to find them. Fire & Brimstone does an excellent job of testing the boundaries of 21st century morality.
Laurinda D. Brown uses her writing to tell universal stories that apply to all cross-sections of society. A graduate of Howard University, she writes about life, not lifestyles. She is the author of Fire & Brimstone, The Highest Price for Passion, and Undercover. She currently resides in the Atlanta metro area with her two daughters.
