Fire Under My Feet

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African Descended
African Descent
African Diaspora
African Diaspora dance
African Diasporic Histories
African Spiritual Practices
Africana studies
Afro-diasporic performance
Afro-Puerto Ricans
Avalanches
Black agency
Black Body
black identity politics
Category=ATQL
Choreographic Work
Counterclockwise
critical race studies
cultural studies
Dammal Performances
dance history
Dancing Black Body
embodied cultural memory
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
folk dance
identity
Indian Ocean Slave Trade
interdisciplinary African diaspora dance research
Iris Rosa
La Sabana
Magdalena River
Orisha Spirits
Orisha Tradition
Part Iii
performance studies
post-colonial studies
Ring Shout
ritual movement analysis
Spiritual Practices
Trans-Atlantic Slave Trade
Transatlantic Slave Trade
transnational dance practices
West Central Africa
White Creole
world dance

Product details

  • ISBN 9780367713331
  • Weight: 288g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Fire Under My Feet seeks to expose the diverse, significant, and often under-researched historical and developmental phenomena revealed by studies in the dance systems of the African Diaspora.

In the book, written documentation and diverse methodologies are buttressed by the experiences of those whose lives are built around the practice of African diaspora dance. Replete with original perspectives, this book makes a significant contribution to dance and African diaspora scholarship simultaneously. Most important, it highlights the work of researchers from Ecuador, India, Puerto Rico, the United States, and the United Kingdom, and it exposes under-researched and omitted voices of the African diaspora dance world of the aforesaid locations and Puerto Rico, Columbia, and Trinidad as well.

This study showcases a blend of scholars, dance practitioners, and interdisciplinarity, and engages the relationship between African diaspora dance and the fields of history, performance studies, critical race theory, religion, identity, and black agency.

Ofosuwa M. Abiola is an Associate Professor in the Department of Theatre and Dance at Howard University. She is the author of History Dances: Chronicling the History of Traditional Mandinka Dance (2019) and is Editor-in-Chief of the journal Evoke: A Historical, Theoretical, and Cultural Analysis of Africana Dance and Theatre.