First Book

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A01=Jesse Zuba
Admiration
Aestheticism
Alfred
Alice Fulton
Analogy
Antithesis
Apprenticeship
Author_Jesse Zuba
Black people
Bob Perelman
Calvinism
Career
Career development
Category=DSBH
Category=DSC
Child sacrifice
Classical tradition
Conventional wisdom
Creative writing
Directive (European Union)
Distancing (psychology)
Double Movement
Eclogue
Edward Said
Epitome
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eq_biography-true-stories
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eq_non-fiction
Essay
Ezra Pound
Freedman
George Kateb
George Starbuck
Giacomo Leopardi
Greenwich Village
Hart Crane
Irony
John Ashbery
La Vita Nuova
Legitimation
Literature
Lord Tennyson
Louisiana State University
Mark Van Doren
Meritocracy
Organic growth
Overreaction
Pantoum
Pentameter
Poetry
Profession
Publicity
Pulsing (bodywork)
Rolfe Humphries
Romantic poetry
Romanticism
Self-esteem
Skepticism
Student Nonviolent Coordinating Committee
Suicide note
Superiority (short story)
Sylvia Plath
Tactics (brand)
Tall tale
The Clerk's Tale
The Dharma Bums
The Faerie Queene
The Greek Myths
The Love Song of J. Alfred Prufrock
The New Poetry
Thylias Moss
Unconsciousness
V.
Vocation (poem)
W. H. Auden
Wallace Stevens
Website

Product details

  • ISBN 9780691271118
  • Dimensions: 156 x 235mm
  • Publication Date: 15 Jul 2025
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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An illuminating look at the poetic debut in twentieth-century American literary culture

"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike.

Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand.

Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.

Jesse Zuba is assistant professor of English at Delaware State University.

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