Flaco's Legacy

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A01=Erin E. Bauer
accordion
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appropriation
Arhoolie Records
Arista Texas
authenticity
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borderland
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Delivery_Delivery within 10-20 working days
Dwayne Verheyden
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Eva Ybarra
Flaco Jimenez
folklore
genre
globalization
heritage
hybridity
hybridization
identity
Kenji Katsube
Language_English
Los Super Seven
media
Mexico
migration
Mingo Saldivar
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performative persona
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Rio Grande Valley
Rowwen Heze
San Antonio
softlaunch
Steve Jordan
Texas
Texas Tornados
Texas-Mexican conjunto music
U.S.-Mexico border
world music movement

Product details

  • ISBN 9780252087158
  • Weight: 399g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 May 2023
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco JimÉnez and Mingo SaldÍvar.

Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music’s reach. As Bauer shows, conjunto’s encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by JimÉnez and other regional players? How do similar local genres like Tejano and norteÑo relate to ideas of categorization?

A rare look at a fascinating musical phenomenon, Flaco’s Legacy reveals how conjunto came to encompass new people, places, and styles.

Erin E. Bauer is chair of the Music Department and an associate professor of musicology at Muskingum University.

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