Folk Horror on Film

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anti-landscape
Arthur Machen
Ben Wheatley
British cinema
Category=ATFA
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Category=FKM
cult cinema
Doomwatch
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folk horror
folklore
Genre Studies
horror
Ken Russell
paganism
Requiem for a Village
The Blood on Satan's Claw
The Company of Wolves
The Wicker Man
the wyrd
unholy trinity
Witchfinder General

Product details

  • ISBN 9781526191205
  • Weight: 376g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Jun 2025
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Paperback
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What is folk horror and how culturally significant is it? This collection is the first study to address these questions while considering the special importance of British cinema to the genre’s development.

The book presents political and aesthetic analyses of folk horror’s uncanny landscapes and frightful folk. It places canonical films like Witchfinder General (1968), The Blood on Satan's Claw (1971) and The Wicker Man (1973) in a new light and expands the canon to include films like the sci-fi horror Doomwatch (1970–72) and the horror documentary Requiem for a Village (1975) alongside filmmakers Ken Russell and Ben Wheatley.

A series of engrossing chapters by established scholars and new writers argue for the uniqueness of folk horror from perspectives that include the fragmented national history of pagan heresies and Celtic cultures, of peasant lifestyles, folkloric rediscoveries and postcolonial decline.

Louis Bayman is Associate Professor of Film Studies at the University of Southampton

K. J. Donnelly is Professor of Film and Film Music at the University of Southampton