Folk Horror on Film

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anti-landscape
Arthur Machen
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B01=Kevin J. Donnelly
B01=Louis Bayman
Ben Wheatley
British cinema
Category1=Fiction
Category1=Non-Fiction
Category=APFA
Category=APFB
Category=APFN
Category=ATFA
Category=ATFN
Category=FK
Category=FKM
COP=United Kingdom
cult cinema
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Doomwatch
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
folk horror
folklore
Genre Studies
horror
Ken Russell
Language_English
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paganism
Price_€50 to €100
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Requiem for a Village
softlaunch
The Blood on Satan's Claw
The Company of Wolves
The Wicker Man
the wyrd
unholy trinity
Witchfinder General

Product details

  • ISBN 9781526164926
  • Weight: 548g
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Oct 2023
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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What is folk horror and how culturally significant is it? This collection is the first study to address these questions while considering the special importance of British cinema to the genre’s development.

The book presents political and aesthetic analyses of folk horror’s uncanny landscapes and frightful folk. It places canonical films like Witchfinder General (1968), The Blood on Satan's Claw (1971) and The Wicker Man (1973) in a new light and expands the canon to include films like the sci-fi horror Doomwatch (1970–72) and the horror documentary Requiem for a Village (1975) alongside filmmakers Ken Russell and Ben Wheatley.

A series of engrossing chapters by established scholars and new writers argue for the uniqueness of folk horror from perspectives that include the fragmented national history of pagan heresies and Celtic cultures, of peasant lifestyles, folkloric rediscoveries and postcolonial decline.

Louis Bayman is Associate Professor of Film Studies at the University of Southampton

K. J. Donnelly is Professor of Film and Film Music at the University of Southampton