Folk-Tales of the Coast Salish

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1st Nations
American Indian Cultures
Category=JBGB
Coast Salish Indians folklore
Cowlitz Salish
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ethnic studies
ethnographic fieldwork
ethnomusicologist
folklore studies
indigenous culture
indigenous folktales
indigenous history
indigenous people
Indigenous Peoples
mythology studies
native american folktales
native american mythology
native american myths and tales
native american oral histories
Native American Studies
native american text
Native texts
oral literature
Pacific Northwest
Pacific Northwest cultural history
Pacific Northwest history
Pacific Northwest native americans
Pacific Northwest oral traditions
salish folktales
salish indian folktales
salish indians myths and tales
salish mythology
salish myths and tales
Salish narrative traditions
Upper Chehalis
western Washington Salish oral traditions

Product details

  • ISBN 9780803226685
  • Weight: 630g
  • Dimensions: 159 x 241mm
  • Publication Date: 01 Nov 2009
  • Publisher: University of Nebraska Press
  • Publication City/Country: US
  • Product Form: Paperback
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First published in 1934, this collection of tales was recorded and edited by Thelma Adamson (1901–83), a student of Franz Boas and one of the first women to conduct ethnographic fieldwork in the Pacific Northwest. A major contribution to our knowledge of western Washington Salish oral traditions, Folk-Tales of the Coast Salishcontains 190 texts from nineteen consultants-most collected in English or in English translation.

The 155 stories represent Upper Chehalis and Cowlitz Salish narrative traditions, primarily myths and tales, and constitute the largest published body of oral literature for either of these groups. Adamson included as many as four variants of the same tale-type, and Adele Froehlich prepared a useful forty-three-page section of abstracts with comparative notes from eight regional text collections.

Folk-Tales of the Coast Salish provides a rich data source for those interested in the content and comparative analysis of Native texts told in English. With few exceptions, the tales refer to the time “when all the animals were people.” This new edition enhances Adamson’s seminal work with the inclusion of a biographical sketch of Adamson and of her friend and noted ethnomusicologist George Herzog, who produced the appended music transcriptions.  

William R. Seaburg is a professor of interdisciplinary arts and sciences at the University of Washington, Bothell. He is the coauthor of Coquelle Thompson, Athabaskan Witness: A Cultural Biography and the editor of Pitch Woman and Other Stories: The Oral Traditions of Coquelle Thompson, Upper Coquille Athabaskan Indian (Nebraska 2007). Laurel Sercombe is ethnomusicology archivist in the School of Music at the University of Washington.