Folklore and the Fantastic in Nineteenth-Century British Fiction

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A01=Jason Marc Harris
Ash Tree
Author_Jason Marc Harris
beliefs
British literary criticism
Category=DS
Category=DSBF
Category=DSBH
Category=DSY
Celtic Renaissance
class and gender discourse
cultural ambivalence studies
Dead Man
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fairy Tale
Fairy Tale Heroes
Fairy Tale Motifs
Fairy Tale Protagonist
Folk Beliefs
Folk Fairy Tale
Folk Metaphysics
folk metaphysics analysis
folklore in literary modernism
Imperial Gothic
Justified Sinner
Le Fanu
Le Fanu's Story
Le Fanu’s Story
Literary Fairy Tale
Literary Fantastic
MacDonald's Lilith
MacDonald’s Lilith
Nineteenth Century British Fiction
Nineteenth Century Literary Representations
nineteenth-century cultural identity
Sheridan Le Fanu
Sir Ringan
supernatural
Supernatural Folk Beliefs
Supernatural Folklore
Victorian Fairy Tales
Victorian supernatural narratives
Young Man

Product details

  • ISBN 9780754657668
  • Weight: 498g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Jan 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Dr Jason Marc Harris is an assistant professor in the Dept. of Humanities and Communications at the Florida Institute of Technology. He is the coauthor (with Birke Duncan) of a folklore study, The Troll Tale and Other Scary Stories (2001). Besides writing various articles about the interaction between folklore and literature, he recently provided an introduction to Robert Louis Stevenson's The Master of Ballantrae for the Barnes and Noble Library of Essential Reading Series (2006).

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