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A01=Johanna Skibsrud
African Slave Trade
Age Group_Uncategorized
Age Group_Uncategorized
analysis
Author_Johanna Skibsrud
automatic-update
Berg's Score
Breughel
Category1=Non-Fiction
Category=CBV
Category=DSA
Category=DSB
clown pedagogy
Constitutive Subject
COP=United Kingdom
creative cognition
Crisis Zones
Cup
Dance
Delivery_Pre-order
Enter Stage
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Follow
historical clowning
Holding
Language_English
Le Jeu
Literary Fools
literary philosophy
Logical Thinking
Moliere
National De Paris
Odd
PA=Not yet available
performance theory
Philippe Gaulier
philosophical analysis of clowning
Pieter Bruegel
Price_€20 to €50
PS=Forthcoming
Richard Tarlton
Shannan Calcutt
SLAVA POLUNIN
softlaunch
subject-object relations
theatrical identity
Timeless
True Innocence
Universe Halfway
Vice Versa
Whiteface Clown
Wo
Wozzeck

Product details

  • ISBN 9781032216140
  • Weight: 180g
  • Dimensions: 138 x 216mm
  • Publication Date: 19 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Combining personal narrative, interviews, and literary analysis, Fool elaborates the potential for fool figures from throughout literary history to reconfigure subject-object relations and point towards new possibilities in creative and critical thought. Drawing on Johanna Skibsrud’s experience in clown classes in France and the US, Fool challenges and extends the correlation Theodor Adorno suggests between thinking and clowning. It considers a diverse range of literary and theoretical sources from Richard Wagner’s Parsifal to Karen Barad’s Meeting the Universe Halfway. The book also refers to a varied cast of literary and historical clowns and fools, including the early Shakespearean actor Richard Tarlton, Alban Berg’s Wozzeck, and Cirque du Soleil’s Shannan Calcutt.

Skibsrud elaborates on the role of the ‘fool’ and ‘foolishness’ in literature, not as an element of a particular work’s content, plot, or style but instead as a creative mode of thought activated through the reading and writing of literary texts. This innovative book charts new ground in literature, philosophy, and performance studies, and is an invaluable resource for specialists in all three fields.

Johanna Skibsrud is Associate Professor at the University of Arizona. She is the Scotiabank Giller Prize-winning author of numerous works of fiction, poetry, and non-fiction, including The Poetic Imperative: A Speculative Aesthetics (2020), Island (2019), and The Nothing That Is: Essays on Art, Literature, and Being (2019).

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