Foreign Artists and Communities in Modern Paris, 1870-1914

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Ambroise Vollard
American Colony
Artist's Models
artistes
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Ballets Russes
beaux-arts
Braque
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Chaim Soutine
Cindy Kang
City Of Light
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cosmopolitanism studies
cross-cultural artistic exchange in Paris
cultural hybridity theory
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Donald F. McCallum
Ecole De Paris
Edmond De Goncourt
Edouard Vuillard
Emily C. Burns
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Ewa Bobrowska
expatriate artists research
Foreign Artists
frans
Gauguin
georges
Georges Braque
international art communities
J. Thomas Rimer
John Singer Sargent
Juliet Bellow
Karen L. Carter
Language_English
Laura Karp Lugo
Left Bank
Maillol
Maite van Dijk
modernist migration
Moulin De La Galette
nationale
Nicholas Sawicki
Norma Broude
Oil On Canvas
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Parisian Art World
Paul Fisher
Paul Gauguin
Photo Credit
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Richard D. Sonn
Sharon Hecker
soci
Societe Des Artistes Francais
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Sonia Delaunay Terk
transnational art networks
vollard
Young Men
Zoe Marie Jones

Product details

  • ISBN 9781472443540
  • Weight: 874g
  • Dimensions: 174 x 246mm
  • Publication Date: 28 Apr 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Foreign Artists and Communities in Modern Paris, 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe, Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles, immigrants, students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new, transnational identities in the City of Light. Considering Paris from an innovative global perspective, the book situates both important modern artists - such as Edvard Munch, Sonia Delaunay-Terk, Marc Chagall and Gino Severini - and lesser-known American, Czech, Italian, Polish, Welsh, Russian, Japanese, Catalan, and Hungarian painters, sculptors, writers, dancers, and illustrators within the larger trends of international mobility and cultural exchange. Broadly appealing to historians of modern art and history, the essays in this volume characterize Paris as a thriving transnational arts community in which the interactions between diverse cultures, peoples and traditions contributed to the development of a hybrid and multivalent modern art.

Karen L. Carter, Kendall College of Art and Design, Ferris State University, USA.

Susan Waller, University of Missouri-St. Louis, USA.