Foreignness and Selfhood

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A01=Mengmeng Yan
Act Ii Scene
Amherst Embassies
Author_Mengmeng Yan
British representations of China in literature
Category=DSBD
Category=DSM
Chinese Government
Chinese Rites Controversy
Chinese Visitors
comparative literary studies
Comparative Literature
cross-cultural literary analysis
cultural identity formation
Curious Specimen
De La Chine
Du Halde
Eighteenth Century British Writers
Eighteenth Century China
Eighteenth Century English Literature
eighteenth-century British literature
Eighteenth-Century Literature
English Literature
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Goldsmith's Work
Homer
King William III
Lien Chi
Literary analysis
Oriental Tales
orientalism in English texts
Reverse Ethnography
Sino British Relations
Tartar Emperor
Tragic Flaw
translation studies China
Voltaire's Play
William III
Willow Pattern
Xo Ho
Young Man

Product details

  • ISBN 9781032248035
  • Weight: 280g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In inviting a rethinking of ideas of foreignness and selfhood, this book explores Sino-British encounters in eighteenth-century English literature, providing detailed critical and literary analysis of individual texts pertaining to China from this period.

The author provides a synthesis of approaches to China in eighteenth-century English literature, involving fictional writing related to China, adaptations of Chinese source texts, and translations of Chinese literary works. By discussing various writings about tea and tea-drinking, Arthur Murphy’s The Orphan of China (1759), Oliver Goldsmith’s The Citizen of the World (1760–62), and Thomas Percy’s Hau Kiou Choaan (1761), she highlights the significance of reading these texts not simply as documents of a historical kind, but as texts that are worthy of literary and artistic attention on the basis of their rich variety in genre, style, and themes. The author proposes that Chinese and British cultures are not antithetical entities: they exist in relation to one another and create possibilities in the continuing appreciation of diversity amidst a drive to universality.

This study will be primarily helpful to university students and professors of English literature, comparative literature, and history worldwide.

Mengmeng Yan is an assistant professor of English Literature at Peking University. She received her undergraduate honours degree in English from the University of St Andrews (2012), and was awarded her MA and PhD in English by Durham University (2013, 2018).

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