Foremother Figure in Early Black Women's Literature

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A01=Jacqueline K. Bryant
African American
African American Culture
African American Fiction
African American Heritage
Afrocentric literary criticism
America
Aunt Hannah
Aunt Henny
Author_Jacqueline K. Bryant
Black Female
black feminist theory
Black Women
Black Women Writers
Black Women's Literature
Black Writers
Caroline Lee Hentz
Category=DSK
Category=JBSF1
Category=JBSL
Chinaberry Tree
Contemporary Black Women Writers
Early Black Women
early black women writers analysis
Early Black Women's Literature
Early White Female Writers
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fauset
Fiction
Foremother Figure
Frances E. W. Harper
French Scene
grandmother archetype
Grandmothers
Hagar's Daughter
Hagar’s Daughter
Harriet Beecher Stowe
Heritage
Hopkins's Work
intersectionality in fiction
Kate Chopin
La Belle
La Folle
Legacy of Foremother
Logan Killicks
Mama Day
Mammy Figure
Mothers
Naylor's Mama Day
nineteenth century African American literature
Novels of Pauline Hopkins
Paul Hopkins
Plum Bun
Principal Female Character
Race
racial identity formation
Rhetoric of Freedom
Shadows Uplifted
Slave Narratives
Slavery
Stereotypical Mammy
Tea Cake
Teresa's Mother
Uncle Tom's Cabin
White Mistress
White Women Writers
Willow Springs
Young Man

Product details

  • ISBN 9781138389731
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 28 May 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1999 The Foremother Figure in Early Black Women's Literature looks at how stereotypical foremother figure exists in nineteenth century American literature. The book argues that older black woman portrayed in early black women’s works differs significantly from the older black women portrayed in early white women’s works. The foremother figure, then emerging in early black women’s fiction revises the stereotypical mother figure in early white women’s fiction. In the context of the mulatta heroine the foremother produces minimal language that, through an Afrocentric rhetoric, distinguishes her from the stereotypical mother and thus links her peripheral role and unusual behaviour to cultural continuity and radical uplift.

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