Form and Meaning in Avant-Garde Collage and Montage

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A01=Magda agu
aesthetics
Apollinaire
art history
art history research
Author_Magda agu
avant garde
Berlin Alexanderplatz
Category=AFJ
Category=AGA
Charles Ives
collage
Concord Sonata
Devin Fore
Dos Passos
Dos Passos's Manhattan Transfer
Dos Passos’s Manhattan Transfer
Dziga Vertov
Early Avant Garde
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
Film Montage
fine arts
Heartfield
Intellectual Montage
interdisciplinary avant-garde analysis
intermedia
Intermedial Reference
Intermedial Theory
intermediality theory
John Dos Passos
John Heartfield
Klee
literary criticism
literary criticism methods
Literary Montage
literature
Manhattan Transfer
medium
modern art
modernism
Moholy-Nagy
montage
music
Musical Fugues
Musical Montage
musicology
musicology analysis
philosophy
photography
photomontage
Photomontage Artists
Picasso's Collages
Picasso’s Collages
Political Photomontage
political propaganda art
politics
Program Music
Rembrandt Harmensz Van Rijn
Russia
Schwitters
semiotics
System Reference
transmedia
twentieth century
Tzara
Verbal Collage
Visual Collage
visual culture studies
Werner Wolf

Product details

  • ISBN 9780367322540
  • Weight: 762g
  • Dimensions: 174 x 246mm
  • Publication Date: 07 Feb 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period.

Magda Dragu distinguishes between the concepts of collage and montage, as defined across several media (fine arts, literature, music, film, photography), based on the type of artistic meaning they generate, rather than the mechanical procedures involved. The book applies theories of intermediality to collage and montage, which is crucial for understanding collage as a form of cultural production. Throughout, the author considers the political implications, as collages and montages were often used for propagandistic purposes.

This book combines research methods used in several areas of inquiry: art history, literary criticism, analytical philosophy, musicology, and aesthetics.

Magda Dragu is Visiting Scholar in the Department of Comparative Literature at Indiana University Bloomington, USA.

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