21st Century
A01=Parwana Fayyaz
Author_Parwana Fayyaz
BAME
British
Caribbean
Category=DCF
Childgood
Culture
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
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eq_nobargain
eq_non-fiction
eq_poetry
First Collections
Heritage
Jamaica
Poetry
Upbringing
Voices
War writings
Windrush
Women
Product details
- ISBN 9781800171077
- Dimensions: 135 x 216mm
- Publication Date: 29 Jul 2021
- Publisher: Carcanet Press Ltd
- Publication City/Country: GB
- Product Form: Paperback
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A New Statesman Book of the Year 2021
A White Review Book of the Year 2021
In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present – their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating.
The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories – to share [...] I grew up among women who never went to school – my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.'
A White Review Book of the Year 2021
In this remarkable first collection, Parwana Fayyaz evokes events in the lives of Afghan women, past and present – their endurance and achievements, told from their points of view. John McAuliffe writes of the 'remarkable litanies, which haunt her poems' occasions' and the title poem, with which she won the 2019 Forward Prize for Best Single Poem, is such a litany, conjuring and commemorating.
The poems are not judgmental: they witness. The reader infers the contexts. As well as the human stories there is a spectacular landscape, unfamiliar villages and cities, and a rich history which the Western press in reporting contemporary news foreshortens and diminishes. 'Storytelling has a long tradition in Afghan culture. Stories are passed down orally. Every woman even or especially those who are illiterate knows and has memorized a few important stories – to share [...] I grew up among women who never went to school – my grandmothers, my mother, my aunts.' As the poet grew away from that tradition, in which patience was the chief virtue, she lost patience and began her resistance, their resistance, in her poems which hover between cultures and languages, thinking in one and understanding in another. Each language has its history and value systems: 'it was learning English that gave me my voice as a poet, enabling me to distance myself as well as to comprehend the connection with the tradition I was brought up in.'
Parwana Fayyaz was born in Kabul, Afghanistan in 1990. From the age of seven to sixteen, she was raised in Quetta, Pakistan. After finishing high school in Kabul, she enrolled in an English language immersion program and subsequently began her undergraduate studies in Chittagong, Bangladesh. She transferred to Stanford University and earned both her B.A. in 2015, with a major in Comparative Literature (with Honors) and a minor in Creative Writing (Poetry). She moved to Cambridge University to pursue a PhD in Persian Studies at Trinity College in September of 2016 and took up Junior Research Fellowship as the Carmen Blacker Fellow at Peterhouse, Cambridge University in October 2020.
Author photo credit: Luca Zenobi
