Found Sculpture and Photography from Surrealism to Contemporary Art

Regular price €64.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Anna Dezeuze
Bath Tubs
Carrie Lambert-Beatty
Category=AB
Category=ABA
Category=AGA
Category=AJ
Children's Tapes
Children’s Tapes
Christian Boltanski
Circumstantial Magic
conceptual art practices
Conceptual Photography
Concrete Art
Dora Maar
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
everyday aesthetics
Gelatin Silver Print
Gelatine Silver Photographic Prints
Giacometti's Work
Giacometti’s Work
indexicality in art
involuntary
Involuntary Sculptures
John C. Welchman
Kelley's Work
Kelley’s Work
Kiki De Montparnasse
man
Man Ray
Man Ray Trust
Margaret Iversen
Martha Buskirk
materiality theory
McGill's Work
McGill’s Work
Paul Gauguin
performance art analysis
photographic mediation in sculpture
ray
Samantha Lackey
sculptures
Simon Baker
Steven Harris
Surrealist Object
surrealist objects
Surrealist Photography
Surrealist Sculpture
Terry Fox
Van Doesburg
Woman's Glove
Woman’s Glove
Young Man

Product details

  • ISBN 9781138548084
  • Weight: 400g
  • Dimensions: 174 x 246mm
  • Publication Date: 05 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Taking its departure point from the 1933 surrealist photographs of ’involuntary sculptures’ by Brassaï and Dalí, Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book’s central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography’s indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork’s materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.

Anna Dezeuze is Lecturer in Art History at the Ecole Supérieure d’Art et de Design Marseille-Méditerranée in Marseilles, France.

Julia Kelly is a researcher at the University of Hull, UK.