Four Modes of Seeing
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Agostino Paravicini Bagliani
Alyce A. Jordan
Anne F. Harris
Anne Prache
Architectural Canopy
architectural iconography
art historical methodology
Axial Window
Bishop's Palace
Bishop’s Palace
Brigitte Kurmann-Schwarz
Carl F. Barnes
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Charles G. Nelson
Choir Clerestory
Choir Screen
Christ Child
Claudine Lautier
Corine Schleif
Corpus Vitrearum
Dorothy Gillerman
Elizabeth A. R. Brown
Elizabeth C. Parker
Elizabeth Carson Pastan
Elizabeth Pastan
Ellen M. Shortell
Ellen Shortell
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Evelyn Staudinger Lane
gender in medieval art
glass
Henry III
historiography of medieval studies
Holy Men
Honorius III
Innocent Iii
interdisciplinary approaches to medieval imagery
Joan A. Holladay
Julien Chapuis
Marilyn M. Beaven
Martha Easton
Mary B. Shepard
Master Glazier
Medieval Stained Glass
medieval visual culture
Meredith Parsons Lillich
Michael T. Davis
Michael W. Cothren
Nancy Thompson
Nave Clerestories
Nave South Aisle
North Transept
Pamela Sheingorn
Paul Crossley
Peter J. Fergusson
Pope Innocent Iii
RDiger Becksmann
Renee K. Burnam
RenK. Burnam
Richard Marks
Rudiger Becksmann
Sarah Stanbury
Sedes Sapientiae
Siena Cathedral
South Transept
stained
Stained Glass
stained glass analysis
Stained Glass Panels
Stained Glass Windows
Timothy Husband
Vice Versa
Virginia Chieffo Raguin
Product details
- ISBN 9781138265400
- Weight: 453g
- Dimensions: 174 x 246mm
- Publication Date: 15 Nov 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Evelyn Staudinger Lane is Associate Professor of Art History in the Department of Art and Art History, Wheaton College, Norton, MA, USA.
Elizabeth Carson Pastan, Associate Professor of Art History, Department of Art History, Emory University, Atlanta, GA, USA.
Ellen M. Shortell is Professor of Art History and Chair of the Department of Critical Studies, Massachusetts College of Art and Design, Boston, MA, USA.
