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Fragmentation of the Photographic Image in the Digital Age

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5D imaging
Adobe Systems Incorporated
aesthetics
algorithm
art and politics
art and society
art and technology
Attention Deficit Disorder
augmented intelligence
Barad
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cinema
Cobbled Stones
coding
Collective Individuation
contemporary art
contemporary photography
cybernetic cultures
cybernetic photography
Deleuze
digital
digital technologies
digital-born images
DNA Coil
Drone Technologies
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history of photography
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Image Explosion
image technology
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Minority Indigenous Communities
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Photographic Futures
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Product details

  • ISBN 9781032240169
  • Weight: 520g
  • Dimensions: 174 x 246mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments in augmented intelligence, neuroscience, critical theory, and cybernetic cultures. Through essays by leading philosophers, political theorists, software artists, media researchers, curators, and experimental programmers, photography emerges not as a mimetic or a recording device but simultaneously as a new type of critical discipline and a new art form that stands at the crossroads of visual art, contemporary philosophy, and digital technologies.
About

Daniel Rubinstein is Reader in Philosophy and the Image at Central Saint Martins, London, where he leads the MA program in Contemporary Photography: Practices and Philosophies.