Francis Poulenc: Articles and Interviews
Regular price
€50.99
A01=Nicolas Southon
A01=Roger Nichols
Age Group_Uncategorized
Age Group_Uncategorized
Article Iv
artistic independence
Author_Nicolas Southon
Author_Roger Nichols
automatic-update
biches
Casino De Paris
Category1=Non-Fiction
Category=AVC
Category=AVGC4
Category=AVGC6
Category=AVLA
Category=CB
Claude Rostand
composer interviews
COP=United Kingdom
Das Wohltemperierte Klavier
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
French classical music scholarship
French music history
Il Ballo Delle Ingrate
Knight Errants
La Belle
La Voix Humaine
Language_English
Le Baiser De La
Le Coq
Les Animaux
Les Biches
Les Mamelles De
Les Noces
Les Six group
Marie Laurencin
Metronome Markings
Metronome Marks
music criticism
Organ Concerto
PA=Not yet available
Pierre Bernac
Price_€20 to €50
Princess De Polignac
PS=Active
Rapsodie Espagnole
Rimsky Korsakov
softlaunch
Tenebrae Factae Sunt
twentieth-century composers
Wanda Landowska
Young Man
Product details
- ISBN 9781032921471
- Weight: 640g
- Dimensions: 156 x 234mm
- Publication Date: 14 Oct 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
’He plays the piano well,’ wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. ’His compositions are not devoid of talent but he’s not a genius, and I’m afraid he thinks he is.’ Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of ’genius’, preferring ’artisan’, a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it’s boasting that he’d be happy never to hear The Mastersingers ever again, pointing out that what critics condemn as the ’formlessness’ of French music is one of its delights, voicing his outrage at attempts to ’finish’ the Unfinished Symphony, writing ’in praise of banality’ - or remembering the affair of Debussy’s hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. This volume comprises selected articles from Francis Poulenc: J’écris ce qui me chante (Fayard, 2011) edited by Nicholas Southon. Many of these articles and interviews have not been available in English before and Roger Nichols's translation, capturing the very essence of Poulenc’s lively writing style, makes more widely accessible this significant contribution to Poulenc scholarship.
Nicolas Southon has a doctorate in musicology and graduated from the National Conservatoire of Music, Paris. Il a enseigné à l'université de Tours ainsi qu'au conservatoire de région d'Aubervilliers, a été critique dans des revues musicales spécialisées, et apparaît régulièrement comme producteur sur France-Musique. He has taught at the University of Tours and the Conservatoire of Aubervilliers, as well as writing reviews for numerous music magazines, and appears regularly as a producer on France Musique. Roger Nichols studied Music at Oxford University. In 1980 he became a freelance writer, broadcaster, critic, translator and pianist and has made numerous broadcasts on BBC Radio 3, mainly about French music. In 2006 he was appointed Chevalier de la Légion d'honneur for services to French culture.
