8 femmes
A01=Thibaut Schilt
Age Group_Uncategorized
Age Group_Uncategorized
Angel
auteur
Author_Thibaut Schilt
automatic-update
blur
Category1=Non-Fiction
Category=APFB
Category=ATFB
cinema
commercial
Contemporary Film Directors
COP=United States
Delivery_Delivery within 10-20 working days
director
diversity
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eric Rohmer
fantasy
femininity
film
filmmaker
France
Francois Ozon
French
homosexuality
interview
Jean Douchet
Language_English
Le refuge
masculinity
mourning
PA=Available
Price_€20 to €50
PS=Active
queer
queer cinema
reality
Ricky
softlaunch
Swimming Pool
the foreign
traditional
Product details
- ISBN 9780252077944
- Weight: 286g
- Dimensions: 140 x 210mm
- Publication Date: 13 Jan 2011
- Publisher: University of Illinois Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
In just over a decade, François Ozon has earned an international reputation as a successful and provocative filmmaker. A student of Eric Rohmer and Jean Douchet at the prestigious Fémis, Ozon made a number of critically acclaimed shorts in the 1990s and released his first feature film Sitcom in 1998. Two additional shorts and eleven feature films have followed, including international successes 8 femmes and Swimming Pool and more recent releases such as Angel, Ricky, and Le refuge. Ozon's originality lies in his filmmaking style, which draws on familiar cinematic traditions (the crime thriller, the musical, the psychological drama, the comedy, the period piece) but simultaneously mixes these recognizable genres and renders them unfamiliar. Despite tremendous diversity in cinematic choices, Ozon's oeuvre is surprisingly consistent in its desire to blur the traditional frontiers between the masculine and the feminine, gay and straight, reality and fantasy, auteur and commercial cinema. Thibaut Schilt provides an overview of François Ozon's career to date, highlighting the director's unrestrained, voracious cinephilia, his recurrent collaborations with women screenwriters and actresses, and the trademarks of his cinema including music, dance, and the clothes that accompany these now typically Ozonian episodes. Schilt contextualizes Ozon's filmmaking within the larger fields of French filmmaking and international queer cinema, and he discusses several major themes running through Ozon's work, including obsessions with inadequate fathers, various types of mourning, and a recurring taste for "the foreign." The volume also includes an insightful interview with the director.
Thibaut Schilt is an assistant professor of French in the department of modern languages and literatures at the College of the Holy Cross in Worcester, Massachusetts.
