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Fredric Jameson and Film Theory
Fredric Jameson and Film Theory
★★★★★
★★★★★
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€81.99
Regular price
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€81.99
A32=Dudley Andrew
A32=John Mackay
A32=Keith B. Wagner
A32=Michael Cramer
A32=Naoki Yamamoto
A32=Pansy Duncan
A32=Paul Coates
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All the President's Men
allegory
Asia
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B01=Jeremi Szaniawski
B01=Keith B. Wagner
B01=Michael Cramer
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Category=HP
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cinema
communications
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Europe
film
film theory
Frederic Jameson
geopolitics
globalization
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Latin America
marxism
media studies
military science fiction
modernism
national allegory
neoliberal capitalism
North America
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Parasite
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realism
representation
social theory
softlaunch
Stalin
The Geopolitical Aesthetic
Three Songs of Lenin
totality
Product details
- ISBN 9781978808874
- Weight: 454g
- Dimensions: 156 x 235mm
- Publication Date: 14 Jan 2022
- Publisher: Rutgers University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
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Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.
KEITH B. WAGNER is an assistant professor of global media and culture and director of doctoral research in film and media studies at University College London in the United Kingdom. He is the coeditor of Neoliberalism and Global Cinema: Capital, Culture and Marxist Critique.
JEREMI SZANIAWSKI is an assistant professor of film studies and comparative literature, and the Amesbury Professor of Polish language and culture at the University of Massachusetts at Amherst. He is the author of The Cinema of Alexander Sokurov: Figures of Paradox.
MICHAEL CRAMER is a professor of cinema studies at Sarah Lawrence College in Bronxville, New York. He is the author of Utopian Television: Roberto Rossellini, Peter Watkins, and Jean-Luc Godard Beyond Cinema.
JEREMI SZANIAWSKI is an assistant professor of film studies and comparative literature, and the Amesbury Professor of Polish language and culture at the University of Massachusetts at Amherst. He is the author of The Cinema of Alexander Sokurov: Figures of Paradox.
MICHAEL CRAMER is a professor of cinema studies at Sarah Lawrence College in Bronxville, New York. He is the author of Utopian Television: Roberto Rossellini, Peter Watkins, and Jean-Luc Godard Beyond Cinema.
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