A01=Jorge Enrique Lage
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Author_Jorge Enrique Lage
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B06=Lourdes Molina
Category1=Fiction
Category=FA
Category=FBA
COP=United States
Cuba
Cyberpunk
Delivery_Delivery within 10-20 working days
documentary
dystopia
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eq_fiction
eq_isMigrated=2
eq_modern-contemporary
eq_nobargain
film
future
Havana
Language_English
Nirvana
PA=Available
pop culture
Price_€10 to €20
PS=Active
sci-fi
science fiction
scifi
sff
softlaunch
translation
Product details
- ISBN 9781646051823
- Dimensions: 127 x 203mm
- Publication Date: 17 Nov 2022
- Publisher: Deep Vellum Publishing
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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An award-winning cyberpunk novel set in mid-21st century Cuba, Freeway: La Movie crosses the absurdity of American pop culture with the deep, fragmented unease of Cuban-US relations.
A novel-in-stories set in mid-twenty-first century dystopian Havana, Freeway narrates the adventure of two misfits wandering the construction site of a colossal freeway-to-be — a mysterious feat of engineering that slices through Havana, designed to connect the US and Cuba. The two embark on a futile journey, overlaid with the elusive filming of a documentary about the freeway construction. Both film quality and interior monologues drift aimlessly, haunted by Cuban history and US pop culture.
Freeway: La Movie is a satirical novel that attempts to reconcile what might be hopelessly irreconcilable: the body and the machine; analog and digital; post-industrial overdevelopment and post-socialist underdevelopment; Cuba and the US; reality and fiction; the plasticity of personal identity and rigid categories such as gender, class, and nationality. Through the clash of utopian promises and dystopian realities, Freeway reveals the unease of contemporary culture from the US to Cuba.
Jorge Enrique is a Cuban novelist and short story writer. He is also the editor of the magazine El cuentero and the publishing house Caja China of the Onelio Jorge Cardoso Literary Training Center. Formerly a biochemist at the University of Havana, he quit the biosciences right after graduating with honors for pursuing a career as a writer. His stories have appeared in anthologies and magazines in Cuba and abroad. His story “Bitches” was published in McSweeney’s 46: Thirteen Crime Stories from Latin America and his story “Epílogo con superhéroe y Fidel” appeared in the anthology Cuba in Splinters: Eleven Stories from the New Cuba (OR Books, 2014).
Lourdes Molina teaches Spanish language and Spanish and Spanish American literature at Southern Methodist University in Dallas. She received her Ph. D. from the University of Texas at Dallas in 20th-century Latin American literature and history, focusing on Cuban studies and literary translation.
