French and English Polyphony of the 13th and 14th Centuries

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A01=Ernest H. Sanders
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Author_Ernest H. Sanders
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Beihefte Zum Archiv
Bourdon Und Fauxbourdon
Cantus Firmus
Cantus Firmus Setting
Cantus Prius Factus
Category1=Non-Fiction
Category=AVGC
Category=AVGC2
Category=AVLA
Category=CB
Category=HBJD
Category=NHD
ChristophHellmut Mahling
COP=United Kingdom
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Discant Section
Duple Rhythm
Earliest Motets
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eq_dictionaries-language-reference
eq_history
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eq_music
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eq_non-fiction
Gace De La Buigne
Jacobus Leodiensis
Johannes De Garlandia
Language_English
Latin poetry in music
Ma Ri
Magnus Liber
Magnus Liber Organi
measured polyphony
Medieval Motet
medieval musicology
medieval polyphonic rhythm studies
Melismatic Notation
Modal Rhythm
motet analysis
MS Oxford
Notre-Dame school
PA=Temporarily unavailable
Parisiana Poetria
Price_€20 to €50
PS=Active
rhythmic notation
Sixth Mode
softlaunch
Tempus Imperfectum
Vice Versa
Worcester Fragments

Product details

  • ISBN 9781138385238
  • Weight: 660g
  • Dimensions: 150 x 220mm
  • Publication Date: 23 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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First published in 1998, this volume brings together the most part of the author’s work on medieval polyphony. The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes. The investigation of this topic forms the centre of this book, and a related essay deals with rhythmic Latin poetry. Other pieces survey the accomplishments of Europe’s first great composer and the flourishing of the medieval motet, whose rise he stimulated, while several essays focus on English polyphony, and on what remains of the motets of Philippe de Vitry, a major figure in Parisian intellectual circles of the 14th century.

Ernest H Sanders

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