French and Soviet Musical Diplomacies in Post-War Austria, 1945-1955

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A01=Alexander Golovlev
Alfred Cortot
Author_Alexander Golovlev
Category=AVL
Category=GTM
Category=JBCT
Category=JPS
Category=NHTW
Chopin
Cold War cultural policy
comparative musical diplomacy analysis
Cultural Diplomats
cultural propaganda studies
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
French Music
Guest Tour
international music relations
Jacques Thibaud
Malcolm Sargent
music sociology research
Musical Diplomacy
Musical Exports
Musical Programmes
National Library
Orf
postwar European history
Russian Music
RWR
Salzburg Festival
Serge Lifar
Sir Malcolm Sargent
SN
Soviet Cultural
Soviet Cultural Diplomacy
Soviet Element
Soviet Musical
Tiroler Tageszeitung
transnational cultural exchange
Vienna Philharmonic
Wiener Philharmoniker

Product details

  • ISBN 9780367342548
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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French and Soviet Musical Diplomacies in Post-War Austria, 1945-1955 investigates how promoting 'national' music and musicians was used as an important asset by France and the USSR in post-Nazi Austria, covering music’s role in international relations at various levels, within changing power frameworks. Bridging international relations, musical sociology, media studies, and Cold War history, four incisive chapters examine the crossroads of Soviet, French, and Austrian cultural politics and discourse-building, presented in two parts - institutions of musical diplomacy: Soviet and French cultural diplomats in comparison; sounds of music coming to Austria: Soviet and French musicians on tour. Using a communication- and media-oriented approach, this study casts new light, firstly, on the interpretative power of 'receiving' publics and, secondly, on the role of cultural transmitters at different levels. This is a valuable study for those specialising in Russian and East European music and music and politics. It will also appeal to cultural historians and all those interested in the intersections between music, international relations, and Cold War history.

Alexander Golovlev is Senior Research Fellow at the HSE University.

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