French Baroque Opera: A Reader

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A01=Caroline Wood
A01=Graham Sadler
Author_Caroline Wood
Author_Graham Sadler
baroque
Category=AVC
Category=AVLA
Category=AVLF
Chambre Des Comptes
Comte De Maurepas
critical debate
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French Baroque
French Baroque Opera
French Instrumental Music
French musical criticism
French Opera
French Recitative
Graham Sadler
historical sources in French opera research
Italian Music
Jean Baptiste Lully
Le Cerf De La
Le Page
Le Triomphe De
Les Beaux Arts
Les Indes Galantes
Literary theory
Lully Rameau scholarship
Lully's Operas
Lully’s Operas
Mme De Graffigny
Mme De Pompadour
Month's Wages
Month’s Wages
musicology
opera
opera aesthetics
opera-going
Palais Royal Theatre
Paris Opera
Pleasurable Intoxication
Revue De Musicologie
Royal Academy
Royal Academy of Music history
Royale De Musique
Salle Des Machines
seventeenth century performance
Titon Du Tillet
Young Man

Product details

  • ISBN 9780367231576
  • Weight: 420g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an often entertaining insight into Lully’s once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English.

Readers will find this new, updated edition easier to use with its revised and expanded translations, supplementary explanatory content and new illustrations.

Both authors are established scholars in the field of French Baroque music. Caroline Wood is a retired Senior Lecturer at the University of Hull, UK. Her publications include Music and Drama in the ‘tragédie en musique’, 16731715 (1996). Graham Sadler is Research Professor at Birmingham Conservatoire, UK, and author of The Rameau Compendium (2014). Both have contributed extensively to leading musicological journals and standard reference works.

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