A01=William L. Pressly
art devoted to french revolution
art historians
Author_William L. Pressly
Category=AFC
Category=AGA
Category=JPWQ
Category=NHD
Category=NHTV
close analysis of french paintings
contemporary history painting
convey christian themes in new format
cultural historians
depiction of urban mobs
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
heightened anti french hysteria
hogarths presentation of modern moral subjects
in satiric and festival imagery
places paintings in historical context
religious dimension in paintings
turn english against revolution
volume six
Product details
- ISBN 9780520211964
- Weight: 816g
- Dimensions: 178 x 254mm
- Publication Date: 01 Apr 1999
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
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William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792, and Celebrating over the Bodies of the Swiss Soldiers, both painted in about 1794, represent events that helped turn the English against the Revolution. Pressly places both paintings in their historical context--a time of heightened anti-French hysteria--and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format.
Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.
William L. Pressly is Professor and Chair of the Department of Art History and Archaeology at the University of Maryland, College Park, and the author of The Life and Art of James Barry (1981).
