A01=C. W. Thompson
Author_C. W. Thompson
Category1=Non-Fiction
Category=DSBF
Category=DSK
Category=JBCC
Category=NL-DS
Category=NL-JF
COP=United Kingdom
Discount=15
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Format=BB
Format_Hardback
HMM=241
IMPN=Oxford University Press
ISBN13=9780199233540
Language_English
PA=Available
PD=20111201
POP=Oxford
Price_€100 to €200
PS=Active
PUB=Oxford University Press
SMM=32
Subject=Literature: History & Criticism
Subject=Society & Culture : General
WG=874
WMM=162
Product details
- ISBN 9780199233540
- Format: Hardback
- Weight: 874g
- Dimensions: 162 x 241 x 32mm
- Publication Date: 08 Dec 2011
- Publisher: Oxford University Press
- Publication City/Country: Oxford, GB
- Product Form: Hardback
- Language: English
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In the first half of the nineteenth century most leading French Romantic authors wrote travel books. French Romantic Travel Writing is the first study exclusively devoted to surveying the travelogues they produced and the reasons for, and significance of, this trend. Whilst 'the journey' was one of Romanticism's central images, suggesting as it did a dynamic, expanding, and evermore complex world in which artists' lives were increasingly experienced as wanderings and endless quests, the fashion for Romantic travel books was more marked in France than in Germany or England. Chateaubriand, Staël, Stendhal, Nodier, Hugo, Lamartine, Nerval, Gautier, Sand, Custine, Quinet, Mérimée, Dumas, and Tristan all wrote one or more travelogues, including at least four masterpieces-Hugo's Le Rhin (1842), Nerval's Voyage en Orient (1851), and Stendhal's two Rome, Naples et Florence (1817 and 1826). The book explores the reasons for this difference from England and Germany. These include French foreign and cultural policies, as well as the particular needs of Parisian publishers. It puts forward the case for the collective achievement of these Romantic travel books, compared to those of most later writers in nineteenth-century France. A distinctive feature of the survey is its belief in the value of concentrating on the text of these books as published by their authors, as opposed to manuscript and peripheral material.
C.W. Thompson is Emeritus Professor of French, University of Warwick. He is the author of Le Jeu de l'ordre et de la liberté dans La Chartreuse de Parme (1982), Lamiel fille du feu. Essai sur Stendhal et l'énergie (1997), Walking and the French Romantics, Rousseau to Sand and Hugo (2003), and the editor of L'Autre et le sacré: Surréalisme, cinéma, ethnologie (1995).
