French Theatre, Orientalism, and the Representation of India, 1770-1865

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A01=David Hammerbeck
American Psychiatric Association
Author_David Hammerbeck
Boulevard Du Crime
British Camp
British East Indies Company
Category=AB
Category=AGA
Category=ATD
Category=DD
Category=DS
Category=NHF
Coal Cutters
colonial discourse analysis
colonial representations in French drama
colonialism
cultural theory
De Jouy
Des Indes Orientales
Du Parnasse
East Indies
Enlightenment Orientalism
Enlightenment theatre
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
French cultural studies
French theatre
imperialism
India Syndrome
La Mort De Marat
La Renaissance Orientale
Le Blanc
Le Juif Errant
Les Atrides
Nana Sahib
Orientalism
performance history research
race and gender politics
Srinivas Aravamudan
Tamil Nadu
Tipu Sultan
Van Woerkens
Vijayanagar Empire
Western hegemony critique
Young Brahmin
Young Men
Zend Avesta

Product details

  • ISBN 9780367644291
  • Weight: 510g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines the French theatricalization of India from 1770 to 1865 and how a range of plays not only represented India to the French viewing public but also staged issues within French culture including colonialism, imperialism, race, gender, and national politics.

Through examining these texts and available performance history, and incorporating historical texts and cultural theory, David Hammerback analyses these works to illustrate a complex of cultural representations: some contested Orientalism, some participated in Western colonialist discourses, while some can be placed somewhere between these two markers of ideology in Western culture and the arts. He also assesses the works which participated in shaping the theatrical face of Western hegemony, ones directly participating in Orientalism as delineated by Edward Said and others.

This book will be of great interest to students and scholars in theatre, French literature, history and cultural studies.

David Hammerbeck is a Lecturer at the University of California Santa Cruz, USA.

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