Freud, V. 2

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artistic interpretation in psychiatry
attitude
bernays
Category=JMAF
Count Thun
Creative Period
Die Heimkehr
enthusiasm
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Freud Jung Relationship
freud's
Freud's Attitude
Freud's Enthusiasm
Freud's Life
Freud's Mind
Freud's Person
Freud's Relationship
Freud's Turn
Freudian relationships
German Political Liberalism
Group Illusion
intellectual
Intellectual Self-doubt
Jung's Defection
Jungian dynamics
martha
Martha Bernays
Maternal Presence
mental
mourning process analysis
Munich Meeting
Narcissistic Issues
Nietzschean fictionalism in psychoanalysis
Oceanic Feeling
philosophy of mind
processes
psychical
Psychoanalytic Movement
Psychological Merger
psychological motifs
Roundabout
unconscious
Unconscious Psychical Processes
Younger Man

Product details

  • ISBN 9780881630657
  • Weight: 570g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Nov 1987
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: US
  • Product Form: Hardback
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Volume 2 of the Freud: Appraisals and Reappraisals series bears out the promise of the acclaimed premier volume, a volume whose essays "breathe new life into the study of Freud," embodying research that "appears to be impeccable in every case" (International Review of Psychoanalysis).

It begins with Peter Homan's detailed reeexamination of the period 1906-1914 in Freud's life. Looking to Freud's relationahips with Jung as the central event of the period, he finds in Freud's idealization and subsequent de-idealization of Jung a psychological motif that gains recurrent expression in Freud's later writings and personal relationships. Richard Geha offers a provocative protrait of Freud as a "fictionalist." Anchoring his exegesis in Freud's famous case of the Wolf Man, he argues that the yield of Freud's clinical inquiries, epistemologically, is a species of the fictionalism of Friedrich Nietzsche and Hans Vaihinger. But, pursuing the argument, Geha goes on to advance little-noted biographical evidence that Freud understood himself to be an artist whose clinical productions were ultimately artistic. Finally, Patricia Herzog organizes and interprets Freud's seemingly conflicting remarks about philosophy and philosophers en route to the claim that the long-held belief that Freud was an "anti-philosopher" is a myth. In fact, she claims, "Freud was in no doubt as to the philosophical nature of his goal." In an introductory essay titled "Pathways to Freud's Identity," editor Paul E. Stepansky brings together the essays of Homans, Geha, and Herzog as complementary inquiries into Freud's putative self-understanding and, to that extent, as reconstructive, historical continuations of the self-analysis methodically begun by Freud in the late 1890s. "Each contributor," writes Stepansky, "in his or her own way, seeks to understand Freud better in the spirit in which Freud might have better understood himself. Together, the contributors offer vistas to an enlarged self-analytic sensibility."

Paul E. Stepansky received his doctorate in European intellectual history from Yale University, where he was named the first Kanzer Foundation Fellow for Psychoanalytic Studies in the Humanities. One of the foremost psychoanalytic editors in the country, he served as the Managing Director of Analytic Press until 2006. He is the author of numerous books on Sigmund Freud as well as The Memoirs of Margaret S. Mahler.