From 1989, or European Music and the Modernist Unconscious

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1980s
1989
A01=Seth Brodsky
analysis
Author_Seth Brodsky
bach
beethoven
bernstein
Category=AVC
composer
composers
composition
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europe
european history
european music
european new music
global
history of music
international
lacan
lacanian
modern music
music
music genres
music history
music scholar
music trends
musical composition
musical history
musical innovation
musical modernism
musical periods
musical revolution
musical styles
new music
politics
revolution
songwriting
world music

Product details

  • ISBN 9780520279360
  • Weight: 680g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jan 2017
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Hardback
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What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing "Joy" to "Freedom" in Beethoven's Ninth; or David Hasselhoff lip-synching "Looking for Freedom" to thousands on New Year's Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come.
Seth Brodsky is Assistant Professor of Music and the Humanities at the University of Chicago.

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