From Afro-Cuban Rhythms to Latin Jazz

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A01=Raul A. Fernandez
aesthetics
african diaspora
afro cuban music
Author_Raul A. Fernandez
black music
caribbean music
Category=AV
cuba
cuban dance music
cultural history
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicologists
ethnomusicology
famous musicians
historical perspective
interviews
latin jazz
latin music
music analysis
music and culture
music historians
music history
music students
music terminology
musical biographies
musical foundations
musicology
nonfiction
rhythms
salsa music
song forms

Product details

  • ISBN 9780520247086
  • Weight: 318g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 May 2006
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
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This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao Lopez, Mongo Santamaria, Armando Peraza, Patato Valdes, Francisco Aguabella, Candido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians' substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research
Raul A. Fernandez is Professor of Social Sciences at the University of California, Irvine. He is the coauthor off One Hundred Years of Chicano History: Empire, Nations and Migration (2003), and author of Latin Jazz: The Perfect Combination (2002), and The U.S.-Mexico Border: A Politico-Economic Profile (1977).

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