From Bayou Teche to Fifth Avenue

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19th century Native American history and culture
20th century Native American history and culture
A01=Daniel H. Usner
American Art
American Cultural History
American South since the Civil War
art as a sovereign act
art collections
Author_Daniel H. Usner
Basket Diplomacy
Bayou Teche
Category=AGA
Category=JBSL11
Category=NHK
Category=WFG
Category=WQH
Chitimacha baskets
Chitimacha Tribe
Chitimacha women basket makers
Collectors of Native American arts
colonial dispossession
cultural history of the Chitimacha Tribe
economic exploitation
Edmund McIlhenny
environmental deterioration
eq_art-fashion-photography
eq_bestseller
eq_crafts-hobbies
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
Histories of Art Collecting
History of Native American Arts and Crafts
history of the Chitimacha Tribe
Indigenous artists
Indigenous arts and crafts
Indigenous history
Louisiana history
Mary McIlhenny Bradford
material culture
Material Culture Studies
Museum Studies
Native American Art
Native American art history
Native American arts
Native American history
Native American South
Native American Studies
Native Americans in the South
political history of the Chitimacha Tribe
Progressive Era
racial oppression
Sara Avery McIlhenny
social history of the Chitimacha Tribe
Southern Ethnohistory
Southern History
struggle for political sovereignty
struggle for sovereignty
Tabasco Hot Sauce Company heirs
Theory and Methodology in Native American Studies
tribal sovereignty
U.S. Indian Policy
Women in the Jim Crow South

Product details

  • ISBN 9781496246691
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Aug 2026
  • Publisher: University of Nebraska Press
  • Publication City/Country: US
  • Product Form: Hardback
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Daniel H. Usner offers a cultural, political, and social history of the Chitimacha Tribe in South Louisiana and its struggle for political sovereignty. Between the 1890s and 1940s, Chitimacha Indian women in South Louisiana – with extraordinary baskets they created from rivercane – strategically built a network of allies that originated in a relationship with neighboring white women and that would eventually extend across the United States. Responding resourcefully to renewed interest in their basketry largely driven by the arts and crafts market and ethnographic collection, the Chitimachas were able to contact individuals and groups far from their home who possessed potential influence on government policy. Confronting at the same time perilous threats to their land, autonomy, and even their lives in the Jim Crow South, women in this Indigenous community were inessence weaving political allies as they wove their rivercane baskets.

Besides the considerable revenue Chitimacha baskets brought to tribal coffers, the story of the Chitimacha people and their predicament gained attention as their basketry appeared in major art gallery shows and museums and was sought by art collectors. By expanding the view beyond southern Louisiana and tracking the nationwide circulation of Chitimacha basketry, From Bayou Teche to Fifth Avenue illustrates how Indigenous people in North America have creatively confronted adversity and peril with aesthetic forms of expression.

Daniel H. Usner is Holland N. McTyeire Professor Emeritus of History at Vanderbilt University. He is the author of Native American Women and the Burdens of Southern History and Weaving Alliances with Other Women: Chitimacha Indian Work in the New South, among other books. In 2024 Usner was awarded the Lifetime Achievement Award from the American Society of Ethnohistory.

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