From Bayreuth to Burkina Faso

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(multi-directional) memory cultures
A01=Sarah Hegenbart
Author_Sarah Hegenbart
Category=AGA
Category=ATD
Category=NHTQ
Christoph Schlingensief
decolonising art history
dialogical image
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
German colonialism
identity construction
Opera Village
participatory art
postcolonial studies
revolution
Richard Wagner
the Gesamtkunstwerk (total artwork)
working through the German past

Product details

  • ISBN 9789462703582
  • Weight: 455g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2022
  • Publisher: Leuven University Press
  • Publication City/Country: BE
  • Product Form: Paperback
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Opera Village, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner's notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner's introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief's attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village in collaboration with the world-renowned architect Francis Kere. This final project of Schlingensief is inspired by and illuminates the diverse themes that informed his artistic practice, including coming to terms with the German past, anti-Semitism, critical race theory, and questions of postcolonial (self-)criticism. From Bayreuth to Burkina Faso introduces the notion of the postcolonial Gesamtkunstwerk to disrupt the Eurocentric perspective on art history, exploring how the socio-political force of a postcolonial Gesamtkunstwerk could affect processes of transcultural identity construction. It reveals how Schlingensief translocated the Wagnerian concept to Burkina Faso to address German colonial history and engage with it from the perspective of multidirectional memory cultures.
Sarah Hegenbart is lecturer in art history at Technical University of Munich and currently acts as a substitute for the professorship of art research with a focus on contemporary arts at the Braunschweig University of Art (HBK Braunschweig).

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