From Caravaggio to Artemisia

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A01=Richard Spear
Artemisia Gentileschi
Author_Richard Spear
Baciccio
Caravaggio
Caravaggism
Category=AGA
Domenichino.
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Guercino
International Caravaggesque Movement
Johann Liss
La Tour
Leonardo
Manfredi
Palazzo Pitti
Raphael
Realist Painter
Saraceni

Product details

  • ISBN 9781899828869
  • Weight: 1572g
  • Dimensions: 170 x 240mm
  • Publication Date: 31 Dec 2002
  • Publisher: Pindar Press
  • Publication City/Country: GB
  • Product Form: Paperback
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A prominent scholar of Baroque painting, Richard Spear has explored a wide range of cultural, iconographic, connoisseurial, and conservation problems in his publications, many of which arose from two of his earliest research projects: organization of an international loan-exhibition, Caravaggio and His Followers, and his dissertation on the Bolognese painter, Domenichino, which resulted in a two-volume monograph with catalogue raisonné. His directorship of the Oberlin College museum strengthened his view that the work of art is the essential fact of inquiry, regardless of the approaches he has taken to interpreting the art of Domenichino, Guido Reni, Guercino, Artemisia Gentileschi, Georges de La Tour, and Poussin, among other 17th-century artists.

As Editor-in-Chief of the Art Bulletin (1985-88) he commissioned essays on "the state of research" in Western art history, whose varied methodologies and interdisciplinarity underpin his recent writings, notably The "Divine" Guido: Religion, Sex, Money and Art in the World of Guido Reni.

This volume brings together more than thirty of Richard Spear's most important articles and selected chapters from his main books, organized in three sections, Caravaggio and Caravaggism, Italy and France, and Bolognese Painters. The author provides important addenda and retrospective critical reflections on each of the essays.
Richard Spear is a prominent scholar of Baroque painting who explored a wide range of cultural, iconographic, connoisseurial, and conservation problems in his publications. He was Director of the Oberlin College museum and was Editor-in-Chief of the Art Bulletin (1985-88).

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