From Classicism to Modernism

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19th-century symphonists
A01=Brian K. Etter
Act III
atonality
Author_Brian K. Etter
Avant-garde
avant-garde composers
Category=JHB
Chopin
Clear Referent
Common Practice Period
Die Jakobsleiter
Dissonance Resolution
Earthly Bliss
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eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European musical texts
European philosophy of music
Fux's Gradus Ad Parnassum
harmony and temporality
Kandinsky
Kantian Metaphysics
Madame Blavatsky
Modernity
Mozart
musical aesthetics
musical creativity
Overtone Series
philosophical analysis of music history
Pierrot Lunaire
Schoenberg's Music
Schoenberg's Setting
Serenus Zeitblom
Teleological Order
Tonal
Tonal Order
tonal tradition
Tonic Key
Tradition
twelve-tone technique
Wagner's Tristan Und Isolde
War Ii
Wassily Kandinsky
Wolfgang Amadeus Mozart
Young Man

Product details

  • ISBN 9781138736740
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Jan 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This title was first published in 2001. The last century has witnessed the ascendancy of the avant-garde in music. From Schoenberg to Boulez to Stockhausen, the avant-garde has defined the modern conception of musical creativity. Contemporary serious music demands the "new" in terms of style, form and ways of listening and hearing. Implicit in this approach is the rejection of the "old", from the baroque to the music of the later 19th-century symphonists. Paradoxically, however, it is this "old" repertoire which contiues to dominate concert programmes. An exploration of this dichotomy lies at the heart of this book. Drawing on a wealth of European philosophical and musical texts, Brian Etter examines the origins of the avant-garde and its relation to modernity in tandem with the history of the tonal tradition. The aim is to understand the aesthetic issues that arise from the juxtaposition of these two approaches to music in the concert hall.

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