From Doors to Screens

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A01=Ido Lewit
Author_Ido Lewit
Category=ATFA
Category=ATFN
Category=JBCT
Category=QDHR7
clocks
doors
early and silent film
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gramophones
intermediality in film
media theory
non-filmic technologies
objects as media
obsolete technology
video screens
Weimar-era German cinema

Product details

  • ISBN 9798855806403
  • Weight: 513g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Apr 2026
  • Publisher: State University of New York Press
  • Publication City/Country: US
  • Product Form: Hardback
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Reveals how objects and technologies function as discursive agents in film, with formal, narrative, and argumentative consequences.

From Doors to Screens treats filmic representations of non-filmic technologies as potentially meaningful intermedial encounters, wherein the objects and media represented interact with the basic characteristics of film in ways that affect cinematic expression, meaning-making, and argumentation. Focusing on doors, clocks, gramophones, and video screens in films by Ernst Lubitsch, Fritz Lang, Werner Herzog, Michael Haneke, and others, the book reveals how these objects and technologies function as discursive agents, with formal, narrative, and argumentative consequences. Applying media theory to film analysis, the book proposes a novel methodology for the close reading of films, offering an alternative to more common symbolic and metaphorical interpretations.

Ido Lewit is Assistant Professor at the Steve Tisch School of Film and Television, Tel-Aviv University. He is the coeditor, with Shai Biderman, of Mediamorphosis: Kafka and the Moving Image and, with Brigitte Peucker, of New Approaches to Ernst Lubitsch: A Light Touch.

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