From Film Practice to Data Process

Regular price €36.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Sarah Atkinson
Age Group_Uncategorized
Age Group_Uncategorized
Auteur Studies
Author_Sarah Atkinson
automatic-update
British Cinema
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=KNTC
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Digital Filmmaking
Directors
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film
Film Industry
Film Production
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781474431880
  • Weight: 443g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Aug 2019
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
To what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals? The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change.

More from this author