From Music to Sound

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20th century music
21st century music
A01=Makis Solomos
Acoustic Ecology
Act III
art music
Audio Culture
auditory perception
Author_Makis Solomos
Bernard Parmegiani
Category=AVA
Category=AVL
Category=AVLA
Col Legno
contemporary music
Crystal Catalyst
debussy
Demarcation Lines
Die Lehre Von Den Tonempfindungen
electroacoustic composition
Electroacoustic Music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Express Train
Free Jazz
Granular Synthesis
Hugues Dufourt
Iannis Xenakis
immersion
Industrial Music
Jean Claude Risset
La Monte Young
Le Marteau Sans
listening
Mortuos Plango
music history
musical composition
musicology
noise
paradigm shift in contemporary music
sonic arts
sound
Sound Art
sound culture
Sound Immersion
Sound Installations
sound studies
space
spatial sound analysis
Spectral Music
timbre
timbre theory
Tristan Murail
Vivos Voco

Product details

  • ISBN 9780367192136
  • Weight: 700g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound. Each chapter follows a chronological progression and is illustrated with numerous musical examples. The chapters are composed of six parallel histories: timbre, which became a central category for musical composition; noise and the exploration of its musical potential; listening, the awareness of which opens to the generality of sound; deeper and deeper immersion in sound; the substitution of composing the sound for composing with sounds; and space, which is progressively viewed as composable.

The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts.

Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts.

Supporting musical examples can be accessed via the online Routledge Music Research Portal.

Makis Solomos was born in Greece and now lives in France, working as Professor of Musicology at the Université Paris 8 and as director of the research team MUSIDANSE. He has published many books and articles about new music, and he is one of the main international specialists of Xenakis’ music. Extending this book, he is now developing the frameworks for an ecology of sound and music.

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