From Self-fulfilment to Survival of the Fittest

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1960s
1980s europe
A01=Ewa Mazierska
Author_Ewa Mazierska
capitalism
career
Category=ATFA
Category=DS
Category=KCF
cinematography
commonalities
communism
communist
cult classics
economic systems
economics
england
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eq_bestseller
eq_biography-true-stories
eq_business-finance-law
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eq_nobargain
eq_non-fiction
film critique
film history
film philosophy
film studies
genre analysis
history
labor relations
lancashire
marxism
marxist perspective
movie textbook
neoliberal agenda
neoliberalism
philosophy
pop culture
popular films
retrospective
socialism
socialist
students and teachers
united states

Product details

  • ISBN 9781789208139
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Jan 2020
  • Publisher: Berghahn Books
  • Publication City/Country: GB
  • Product Form: Paperback
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Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.

Ewa Mazierska is Professor of Film Studies at the School of Journalism, Media and Performance, University of Central Lancashire. Her publications include European Cinema and Intertextuality: History, Memory, Politics (Palgrave Macmillan, 2011), Jerzy Skolimowski: The Cinema of a Nonconformist (Berghahn, 2010), Masculinities in Polish, Czech and Slovak Cinema (Berghahn, 2008) and with Laura Rascaroli,Crossing New Europe: The European Road Movie (Wallflower, 2006) and From Moscow to Madrid: Postmodern Cities, European Cinema (I.B. Tauris, 2003). She is principal editor of the journal Studies in Eastern European Cinema.

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