Funk the Erotic

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Abbey Lincoln
African American
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ambivalent black feminism
American Revolution
analysis
androgyny
antiwork
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Avery Gordon
BDSM
Big Change
black bodies
black body
black funk freakery
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communal eroticism
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Crash Pad
culture
dance and gender
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Demonic Grounds
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eroticism
Foul and the Fragrant
Francesca Royster
Frantz Fanon
freak
freakiness
Funk
funky black freaks
funky erotixxx
gender
Halberstam
I Shine
James Boggs
Jay Prosser
Katherine Dunham
Katherine McKittrick
Kevin Quashie
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lesbian
lesbianism
liberation movement
Lord of Dark Places
Lynn Nottage
Mario Perniola
maternal sexuality
memory
monogamy
movement
non-monogamy
Octavia Butler
orgy
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Pedagogies of Crossing
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pop culture
popular culture
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profane sites of memory
prostitution
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Rick James
Ricky Vincent
Riley C. Snorton
Rinaldo Wolcott
Rosemarie Garland-Thomas
Ruined
satire
Sex Appeal of the Inorganic
sex art
sex work
sexual economy
sexual economy of slavery
sexual magic
sexuality
sexuality as a site of memory
Shine L. Houston
slavery
softlaunch
strippers
stripping
Sylvia Wynter
theory
Toni Morrison
transaesthetics
tropes
truth of sex

Product details

  • ISBN 9780252039591
  • Weight: 454g
  • Dimensions: 156 x 235mm
  • Publication Date: 07 Aug 2015
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Funk. It is multisensory and multidimensional philosophy used in conjunction with the erotic, eroticism, and black erotica. It is the affect that shapes film, performance, sound, food, technology, drugs, energy, time, and the seeds of revolutionary ideas for black movements. But funk is also an experience to feel, to hear, to touch and taste, and in Funk the Erotic, L. H. Stallings uses funk in all its iterations as an innovation in black studies.

Stallings uses funk to highlight the importance of the erotic and eroticism in Black cultural and political movements, debunking "the truth of sex" and its histories. Brandishing funk as a theoretical tool, Stallings argues that Western theories of the erotic fail as universally applicable terms or philosophies, and thus lack utility in discussions of black bodies, subjects, and culture. In considering the Victorian concept of freak in black funk, Stallings proposes that black artists across all media have fashioned a tradition that embraces the superfreak, sexual guerrilla, sexual magic, mama's porn, black trans narratives, and sex work in a post-human subject position. Their goal: to ensure survival and evolution in a world that exploits black bodies in capitalist endeavors, imperialism, and colonization.

Revitalizing and wide-ranging, Funk the Erotic offers a needed examination of black sexual cultures, a discursive evolution of black ideas about eroticism, a critique of work society, a reexamination of love, and an articulation of the body in black movements.

L.H. Stallings is Associate Professor of Women’s Studies at the University of Maryland-College Park.

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