Funnybooks

Regular price €38.99
20th century comic books
A01=Michael Barrier
Age Group_Uncategorized
Age Group_Uncategorized
american comics
animation graphic design
art
artistic potential
artists
Author_Michael Barrier
automatic-update
business
business history
carl barks
cartoonists
Category1=Non-Fiction
Category=AKLC
comic book history
comic books
comic history
comic studies
comics
COP=United States
Delivery_Delivery within 10-20 working days
dell comics
disney
donald duck
entertainment industry
enthusiasm
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
john stanley
Language_English
literary
literary criticism
little lulu
midcentury comics
PA=Available
pogo
Price_€20 to €50
PS=Active
retrospective
softlaunch
uncle scrooge
walt kelly

Product details

  • ISBN 9780520283909
  • Weight: 590g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Nov 2014
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, "Dell Comics Are Good Comics" was more than a slogan - it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.
Michael Barrier is the author of Hollywood Cartoons: American Animation in Its Golden Age and The Animated Man: A Life of Walt Disney. He is also coeditor (with Martin Williams) of A Smithsonian Book of Comic-Book Comics and coauthor (with Harvey Kurtzman) of From Aargh! to Zap! Harvey Kurtzman's Visual History of the Comics.