Furiously Funny

Regular price €26.50
Regular price €36.99 Sale Sale price €26.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Terrence T. Tucker
African American
African American Literature
Age Group_Uncategorized
Age Group_Uncategorized
America
Author_Terrence T. Tucker
automatic-update
black experience
black oral tradition
Category1=Non-Fiction
Category=ASZB
Category=ATX
Category=JBSL
Category=JFSL3
Comic rage
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Format=BC
Format_Paperback
Furiously Funny
history
Humor
Ishmael Reed
Language_English
literary criticism
Militancy
PA=Available
Price_€20 to €50
PS=Active
racial dialogue
racial divide
radicalism
Richard Pryor
softlaunch
Stand up comedy
Terrence Tucker

Product details

  • ISBN 9780813068268
  • Format: Paperback
  • Weight: 425g
  • Dimensions: 152 x 228mm
  • Publication Date: 10 Mar 2020
  • Publisher: University Press of Florida
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
A combustible mix of fury and radicalism, pathos and pain, wit and love--Terrence Tucker calls it "comic rage," and he shows how it has been used by African American artists to aggressively critique America's racial divide.

In Furiously Funny, Tucker finds that comic rage developed from black oral tradition and first shows up in literature by George Schuyler and Ralph Ellison shortly after World War II. He examines its role in novels and plays, following the growth of the expression into comics and stand-up comedy and film, where Richard Pryor, Spike Lee, Whoopi Goldberg, and Chris Rock have all used the technique.

Their work, Tucker argues, shares a comic vision that centralizes the African American experience and realigns racial discourse through an unequivocal frustration at white perceptions of blackness. They perpetuate images of black culture that run the risk of confirming stereotypes as a means to ridicule whites for allowing those destructive depictions to reinforce racist hierarchies. At the center of comic rage, then, is a full-throated embrace of African American folk life and cultural traditions that have emerged in defiance of white hegemony's attempts to devalue, exploit, or distort those traditions. The simultaneous expression of comedy and militancy enables artists to reject the mainstream perspective by confronting white audiences with America's legacy of racial oppression.

Tucker shows how this important art form continues to expand in new ways in the twenty-first century and how it acts as a form of resistance where audiences can engage in subjects that are otherwise taboo.

Terrence T. Tucker is associate professor of English at the University of Memphis.

More from this author